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Salton Sea (Truus de Groot & Bosko Hrnjak) : Hwy 111 (Salton Sink Vol 1)
La Sociéte des Timides à la Parade des Oiseaux : Bebalanbébant (Expériences De Survie - Prikosnovénie)
Singing Sadie : Baby I am not yoour lady (Songs for Swingers!)
Tony Conrad : Process Three Of Fantastic Glissando (Fantastic Glissando - Table Of The Elements)
Genocide Organ : Death to China I
Baal Remixes Emil Beaulieu : Untitled 1 (Fortean Times - RRRecords)
Nurse Woth Wound : No Meat For The Dogma (The Great Ecstacy Of The Basic Corrupt - United Dirter)
Chuck Bettis : Faith Is Fear (Sonic Sigils - Scarecelight Recordings)
Jaap Blonk : Knackersumm (Irrelevant Comments - Kontrans)
Junk & The Beast : Petr Vrba & Veronika Mayer : A.I.R. Pressure (Trailer - Microton Recordings)
Marcoeur : Un Poète Péruvien à parts (Travaux Pratiques - Label Frères)
John Zorn & Fred frith : Horse Rehab ( Late Works - Tzadik)
Reporté à plus tard....
Tonight our guests are Xylouris White : when Cretan music meets an Australian drummer.
Photo on the right by Manolis Mathioudakis
Xylouris White :
Xylouris White is firmly rooted in the past and future. Playing Cretan music of original and traditional composition, the band consists of Georgios Xylouris on Cretan laouto and vocals and Jim White on drum kit. Xylouris is known and loved by Cretans and Greeks at home and abroad and has been playing professionally from age 12. Jim White is an Australian drummer known and loved throughout the world as the drummer of Dirty Three, Venom P Stinger and now Xylouris White. For the last four years these two men have been performing as Xylouris White, the culmination of 25 years of friendship forged through music and place.
Jim White - drums
There are drummers and there are drummers. And then there is Jim White. Having first commanded international attention in the mid-1990s with the acclaimed Australian instrumental trio Dirty Three, the New York-based virtuoso is now the go-to guy for alt-A-list vocalists with collaboration in mind. Those who’ve worked with him – and all those he’s mesmerized as he plays - testify to his deft way with a rhythm, a downbeat, a jazz-fuelled wig out.
His is a unique playing style forged in the then isolated Melbourne; a style that can sound like a full band one moment, and something stark and beautiful the next.
PJ Harvey has said there is ballet in White’s light, precise touch. Will Oldham once remarked on White’s ability to dismantle a song, bit by bit, and rebuild it with his parts incorporated. The likes of Smog, Nick Cave, White Magic, Bonnie Prince Billy and Cat Power all know that there’s more to White’s drumming than mere accompaniment. His intuitive beats and singular approach have complimented the repertoire of the iconic Cretan lyra player, Psarantonis, and created sparks in his collaborations with the Cretan lute player George Xylouris. Whoever White is playing with, he is right there, present in the most inspirational sense.
With a career this long and varied, credits are too numerous to list. There have been projects with filmmakers, collaborations with visual artists; and an album of duets with the singer Nina Nastasia. A founding member of the now-defunct Australian avante-rock outfit Venom P-Stinger, White has curated the leftfield UK music festival All Tomorrow’s Parties. In his spare moments, he’s drumming. White never rests on his laurels.
Georgios Xylouris - lute & vocals
If the talents of singer and lute player George Xylouris seem otherworldly, even god-given, it is hardly surprising. One of the best-loved artists on Crete, the largest and most populous of the Greek islands, Xylouris is a member of a clan long-regarded throughout Greece as musical royalty. A clan that hails from Anogeia, a mountain shepherding village down the hill from the Cave of Zeus, that hotspot of ancient mythology.
To hear Xylouris play his long-necked laouto and sing songs of love and liberty in his impassioned, distinctive voice, is to experience tradition at its finest; tradition that this bearded father-of-three grants respect, and crafts into something unique. It’s a sound that has taken him around the world, to festivals and concert venues throughout Europe, North America and Australia – where he lived for eight years in Melbourne, absorbing influences from the city’s thriving live rock scene – and back again to Crete. Teaching and playing at home, in village communities, is his lifeblood – just as it is his family’s.
Xylouris could not have been anything else but a musician: his father is the Cretan singer and lyra player Psarantonis, a man beloved of everyone from ethnomusicologists to Nick Cave. His late uncle was the iconic Nikos Xylouris, a singer and lyra player who became a symbol of the protest movement that brought down the Greek military junta in 1973. George was just a kid when he started playing the lute at the knee of his uncle Giannis Xylouris; after accompanying his famous father at village functions, there were several group recordings. Then George Xylouris struck out on his own.
Until then the Cretan lute was usually played as a backing instrument. But with albums such as 'Antipodes', by Xylouris Ensemble , 'Embolo' with his uncle Psarogiannis and 'Oso ki an Dernei o Anemos’ out with All Together Now , Xylouris showcased the lauto’s solo potential with a repertoire of traditional and self-penned material.
His numerous projects are testament to his restless musical curiosity: there’s a duo, Xylouris White, with Jim White, Brooklyn-based drummer of Australian instrumental trio, Dirty Three, with who Xylouris has toured. The Xylouris Ensemble features his three Greek-Australian children.
His concerts at home have become legendary for their musicality and power; his onstage record is currently 18 hours straight.