It takes time, like all learning, to immerse yourself in the modular dimension ! Except that the complexity of the instrument is infinite if you want to personalize it, adapt it to your needs. I often think that modular synthesis is good for my autism (laughs). At the same time my primary desire is to play my instrument and the only person with whom I have been able to exchange in Marseille is Fa Césario. We improvise, share and thus I do feel less alone, musically speaking. Since the end of the 90s Fa Césario has been exploring the fields of noise / poetry and improvised music playing about a hundred concerts per year, building for each concert an instrument or a different system (set open system) though he paid very little attention to the recording of his music favoring the live aspect. Fa is particularly interested in the sensitive aspect often absent from electronic productions. He likes to explore the limits of his instrument, push further its possibilities / ratio of resistance and to a way of including the error as the engine of his musical possibilities :
« Without any error, imperfections the creation seems too frozen, lacking in life, and in order to achieve a good dose one must be fully communicating with his system »…